Roy B. Steinberg has directed classical and contemporary plays as well as world premieres all over the United States.  He directed Ann Jackson, Kim Hunter and Alvin Epstein in “The Madwoman of Chaillot” at the Neighborhood Playhouse in New York.
As a member of Circle Repertory Company, he developed and directed “The Marriage Fool” with Lynn Cohen and Farley Granger.  His production of “Othello” played at the Intar Theatre on Theatre Row in New York and he directed Joan Copeland in a new play called “Second Summer” for the Colleagues Theatre Company.  He was the Artistic Director of Theatre Matrix in New York and the John Michael Kohler Arts Center in Wisconsin.  He has directed touring companies of bi-lingual productions of Moliere’s “The Miser” and “The Bourgeois Gentleman”.  In Boston, Mr. Steinberg directed “Absent Friends”, “Lies My Father Told Me” and “Private Lives”.   For the Colonial Theatre in Rhode Island, he directed “Driving Miss Daisy” and “Steel Magnolias”. Favorite productions include “Blithe Spirit”, “Lend Me A Tenor”, “Rosencrantz And Guildenstern Are Dead”, “Crimes Of The Heart”, “Little Shop Of Horrors”, “The Fantasticks” and “I Hate Hamlet”.  As a Guest Artist he has directed college students throughout our nation in plays like “American Buffalo”, “Our Town” and “A Midsummer Night’s Dream”.  Mr. Steinberg has also produced and directed film and television including “Guiding Light”, “One Life To Live”, “Days of our Lives”, “Forensic Files” and “Scandalous Art”. He has four Emmy nominations for this work.  He is the Executive Producer and Director of a new web series called “Loungitude” and he directed Jo Beth Williams in “Life In General” on strike.tv.

As an actor, Roy B. Steinberg played on Broadway in “Wings” with Constance Cummings, at the Yale Repertory Theatre in “Measure For Measure” with Christopher Walken and at the International Drama Festival in Ireland he played opposite William Hurt in “The Rimers of Eldritch”.  He has performed roles as varied as Captain Hook in “Peter Pan” to Cassius in “Julius Caesar” at regional theatres and was seen in the CBS Special “The Wall” with Tom Conti as well as “Another World” for two years on NBC.

Mr. Steinberg has also been a professor of acting and directing at Muhlenberg College, NYU, UCLA, Lehman College of Performing Arts, School of Visual Arts, Adelphi University, Indiana University of Pennsylvania, University of Rochester and Berea College. He is on the Advisory Board and faculty of the Conservatory of Dramatic Arts in New York and has taught professional actors at TVI  Studios in LA.  He is a graduate of the Yale School of Drama.

Suzanne Holt is a skilled administrator with a comprehensive background in finance and human resource management and is excited to be a part of the Cape May Stage family.

During her career, Suzanne obtained a B.A. in Business Management and a Master's certificate in Human Resource Management. She has gained a wide breadth of experience that includes budgeting, strategic planning, annual audit, database management, policies and procedures, and benefit administration. Suzanne developed interpersonal skills building relationships with clients, customers, donors, volunteers, vendors, and staff. Suzanne has served in non-profit management for the last seven years.

Donald holds a BA in Theatre Education from DeSales University, and brings a variety of experiences both on and off stage to his work as Cape May Stage's Education Outreach Coordinator. A native of the Jersey Shore, Donald has had many opportunities to act as both a teacher and director to young thespians. This involvement includes his work as a Drama Specialist for the Milton and Betty Katz Jewish Community Center's 'Camp by the Sea' program in Margate, an Acting/Theatre Arts teacher for Cygnus Arts Center in Egg Harbor Township, and numerous children's theatre productions throughout the Cape May/Atlantic County area. He owes much of his enthusiasm for all things theatre-related to the teachers who encouraged and guided him as a student. Thus, he is very grateful to have the chance to pass that same understanding and appreciation onto budding generations of actors and theatergoers--and, in turn, to learn from them.

Michael Craig
Patrick Logue
Dane Wells